Cover art for “The Polished Letter”, a Moscow Rules radio drama

Moscow Rules30 minAI-made

The Polished Letter

A Moscow translator stands on the doormat of the detective Maksim Volkov and will not sit down. This week the American papers printed a bank warning, and she knew it by her own commas: she had polished it. Someone will be blamed, she says. Who hired a Moscow translator to polish the letter that robbed Washington?

Setting Moscow — summer 2014.

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Moscow, summer 2014. The translator Vera climbs four flights to the cluttered flat near Chistye Prudy that the detective Maksim Volkov shares with his chronicler, Doctor Grigori Melnik. Clamping a folder to her chest, she will not sit: whatever she has to say, she will say standing. This week the American papers printed a bank warning that she polished; someone in Washington believed it. The police at Petrovka took her complaint, stamped it and were bored by it. She will not read a word of the stolen mail: stolen letters, she says, cannot be unread.

Volkov asks to see her people. In the lodge of her block on Frunzenskaya Embankment the concierge Pantelei guards his book of every name, flat and hour, and shares the room with an old dog with a ruined hip; on the landing a pensions clerk named Zimin calls on the block's pensioners; and at Savyolovsky market a boy named Stas mends her machine. At Petrovka Thirty-Eight, Inspector Kravchenko sits behind a full ashtray with the complaint under her elbow. A voice on the telephone hired her, Vera says. Whose letter did Vera polish?

#MonoNoirRadioDrama #NoirMystery #AudioDrama

Voices Narrator, Vera, Volkov, Pantelei, Zimin, Stas, Kravchenko

From the series Moscow Rules: a real post-Soviet event reimagined as a modern detective radio mystery, performed by a full multi-voice AI cast with an original score and sound design.

Directed Edition — every role cast for this story and every line performed with full voice direction.

Chapters

  1. 0:00 The Woman on the Doormat
  2. 2:09 Boiled Tea and Old Dog at the Lodge
  3. 3:39 Two Flights Up, a Door That Would Not Answer
  4. 5:09 A Market Stall No Wider Than a Coffin
  5. 6:55 Dusk at Vera's Table over the River
  6. 9:14 A Full Ashtray at Petrovka
  7. 10:46 The Row Falls Silent at the Market Gate
  8. 12:32 Vera Sits at Last, Coat Still Buttoned
  9. 14:16 The Supper Hour with the Concierge Out
  10. 15:39 A Dog Who Watches Like a Magistrate
  11. 17:11 Bleach and Cabbage Beneath Petrovka
  12. 18:38 Back Under Vera's Lamp, the River Gone Dark
  13. 20:42 Back Down at First Light
  14. 22:17 Volkov Silent All the Way from the Metro
  15. 23:25 Back at the Lodge for the Dog
  16. 25:01 The Inspector Climbs Coughing to the Landing
  17. 26:35 The Hour of Lit Kitchens

Full transcript of “The Polished Letter”

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0:00 The Woman on the Doormat

0:04 Narrator: Moscow, the summer of two thousand and fourteen. Volkov and I kept a cluttered flat near Chistye Prudy, and that afternoon the woman at our door came no further than the doormat. Come in, sit, move the newspapers. Vera, is it? You telephoned.

0:23 Vera: I won't sit, Doctor Melnik. If I sit I shall— no. I'll say it standing. Volkov: Four flights with a folder clamped to your chest. So someone has already looked at it and frightened you.

0:36 Vera: Petrovka has my complaint. Stamped. They weren't unkind. No— they were bored, which is worse.

0:45 Narrator: A complaint of what? Vera: This week the American papers printed a bank warning. I polished that warning. I knew it by my own commas.

0:56 Volkov: Papers don't print bank warnings. Vera: They do when it's the bait. Someone in Washington believed it, and fourteen thousand emails walked out of the National Reform Council.

1:08 Volkov: Ah. Narrator: And you tidied the bait. You couldn't have known that.

1:13 Vera: Someone will be blamed, Doctor, and I am the one with the commas. Volkov: Your thumb stays on one corner of that folder. Something small in there.

1:23 Vera: A memory stick. A man who calls himself Nightjar has posted the first of those emails. A Romanian, he says, quite alone. I saved his file. I haven't opened it.

1:36 Volkov: You're afraid your letter is in— Vera: No. I do not want to have read them. Stolen letters, one can't unread. Take his post, on paper, the words only. The file stays with me.

1:50 Volkov: Who stands near your work? Vera: Nobody. I work alone. Well— there's my stair, my old neighbours. Stas, a boy at Savyolovsky market, mends my machine.

2:03 Volkov: Tomorrow, your block. Show me your people. Then your boy at the market.

2:09 Boiled Tea and Old Dog at the Lodge

2:13 Narrator: Next morning we stood in a lodge on Frunzenskaya Embankment that smelled of boiled tea and old dog, the concierge's arm across the stairs. Pantelei: Book first. Pantelei's lodge, Pantelei's book. Name, flat, hour. Pen's on the string.

2:31 Narrator: Melnik, doctor, for the third floor. That dog has a ruined hip and a better coat than you do. Pantelei: He belonged to the fifth floor. He eats. Somebody in this house should.

2:44 Volkov: Volkov. What's the house short of? Pantelei: Money. Pensions come late, then short, then a clerk comes to explain. Second floor's six weeks behind. Fourth floor's nine.

2:55 Narrator: Good grief. Volkov: You know it to the week. So their letters pass through—

3:01 Pantelei: Not through. They carry them down here to me. Eyes gone, legs gone, wives gone. Somebody has to read the things out.

3:11 Narrator: And the translator? Does she come down? Pantelei: Vera? Alone up there with her dictionaries, lamp on till two. Used to bring them soup. This week she takes her post and looks at nobody...

3:24 Volkov: You count everyone who passes that door. Pantelei: Somebody should. Lift's been dead since the rouble fell, so they don't pass often. Eleven old soldiers when I came. Four now. Mind the stairs.

3:39 Two Flights Up, a Door That Would Not Answer

3:43 Narrator: Two flights up, the landing gave us a man with a ledger, a laptop under one arm, and a door that would not answer him. Forgive me. Did you just click your heels at a door?

3:57 Zimin: Old soldier behind it. They open quicker, as a rule. Zimin, pensions fund.

4:04 Narrator: Do they. Volkov: Volkov. This one hasn't opened.

4:09 Zimin: Deaf since Afghanistan. I'll send the form. Wake up, Felix Edmundovich, we have paperwork.

4:15 Narrator: Felix Edmundovich? Dzerzhinsky! Founder of the Cheka. I watched them lift him off his plinth at Lubyanka in ninety-one. Who christens a laptop that?

4:27 Zimin: My old post called me that; I kept their forms as if lives hung on them. So I handed it down. He's slow and nobody likes him either.

4:37 Narrator: Ha! Volkov: Your fund keeps its old stock for clerks it doesn't value. Zimin: My fund gives me a ballpoint. He's my own. Twice passed over for section head, you buy your own.

4:49 Narrator: Who got the chair? Zimin: A nephew. Both times. Different nephews.

4:56 Narrator: Oh, dear. Volkov: Ring, Doctor. That's the translator's door.

5:01 Narrator: Nobody. Not a footstep. Zimin: She's out till evening. Old men sleep. Next month, then.

5:09 A Market Stall No Wider Than a Coffin

5:13 Narrator: By noon we had crossed the city to Savyolovsky market and a stall no wider than a coffin, where a young man held court over gutted laptops. Volkov: You're Stas. You mend Vera's machine.

5:26 Stas: Stas, yes. Mend it, clean it, tell her stop sticking passwords on the lid. Volkov: So you've had her password without asking. You've been all through her—

5:37 Stas: Her lid. Through her lid. Yellow note, anybody can read. You police?

5:42 Narrator: Worse, a doctor, and I take notes. How does a letter rob an office in Washington? Stas: No robbing. Letter frightens you. Your bank, your money, something wrong. You click. False page, pretty, same colours. You type.

5:58 Narrator: Just like that? Volkov: And the page hands your password to whoever built it. Stas: Hands it over, smiling. Passwords? Those are easy, very easy. Clerk in Washington, clerk in Kazan: same dog, same birthday.

6:13 Volkov: Four sentences, and you've explained what the American papers took a page for. You're wasted on a stall. Stas: Tell my landlord. Six years here. They pay me to glue screens for grandmothers.

6:27 Narrator: You've seen the Romanian's first post? Vera gave us a printout. Stas: Whole row's read him, Doctor. On their phones, between customers.

6:36 Narrator: Then indulge an old man. 'They call me sophisticated. I am very pleased. But in fact, it was easy—'

6:44 Volkov: The rest, Doctor. Narrator: 'Very easy.' Signed Nightjar.

6:50 Stas: Write that down. Good line. That Romanian has taste.

6:55 Dusk at Vera's Table over the River

6:59 Narrator: Vera was home by dusk, when we climbed back, and she sat us at her table over the river with the folder squared between us. Volkov: Who hired you, Vera? Vera: A voice. On the telephone, in March. Muffled— a cold, I thought. No, a scarf. A bank's consultant; he'd email the draft and pay the same day. He did.

7:26 Volkov: A man who pays that fast doesn't want an invoice with his name on it. Vera: Half my clients are voices. One doesn't ask.

7:34 Narrator: What did a bank letter want with you? Vera: Rhythm. Bank English is all elbows. I made it walk. I was rather pleased.

7:44 Volkov: Were you. Narrator: And our boy at the market. When did he have your machine?

7:50 Vera: April. Two days— no, three, with the Sunday. His ticket is in here.

7:56 Narrator: I'll take that, if I may. Volkov: You keep every ticket and every draft. That's someone who's been cheated.

8:04 Vera: Twice. No— three times. Agencies sell my work as theirs. So I read the author line of every file.

8:13 Narrator: The author line? Vera: Hidden, at the top. However many hands polish it, a file keeps the name its owner gave his computer. Boss. Kitten. Zenit the Champion.

8:27 Narrator: Zenit the Champion, in Moscow? That man wants watching. Volkov: And the voice's file? What did he call his machine?

8:36 Vera: In March? I read a hundred that month. Something silly, they're all silly. I haven't opened that letter since the papers...

8:45 Narrator: You could look now. We're both here. Vera: It's the best-mannered thing I ever wrote, Doctor, and somebody— I cannot— I can't look at it...

8:57 Volkov: Then don't. A machine's name only tells me what a man finds funny. People first. Vera: Nightjar's file stays shut too. Petrovka said touch nothing: open stolen mail on my own machine and I'm in their report.

9:14 A Full Ashtray at Petrovka

9:18 Narrator: Inspector Kravchenko received us at Petrovka Thirty-Eight behind a full ashtray, with a stamped complaint pinned under her elbow. Kravchenko: Unlawful computer access, launched from Moscow; that's what your translator has handed me. And a Romanian on the internet.

9:36 Volkov: What does Washington say? Kravchenko: One post from him, one answer from them inside the day: no Romanian, only Russians. Now the world waits for him to answer back.

9:48 Volkov: Charming. Narrator: Inspector, he may not be far. Vera's repairman at Savyolovsky market had her machine three days in April. Here's his ticket.

9:58 Kravchenko: A ticket. Narrator: And yesterday he bragged about passwords in the Romanian's own phrase, word for word, at his own— Kravchenko: A stallholder. Well, well. No minister's son, nobody's telephone ringing. Nobody above me blocks a stallholder.

10:15 Volkov: So somebody above you has blocked something already. Kravchenko: Nobody has blocked anything. Nobody has returned my calls. That's a different sentence.

10:25 Narrator: I see. Volkov: Give me days before you lift him. A boast isn't a case yet.

10:30 Kravchenko: Two days. Then I visit the market with a van. Volkov: You've been chewing on something since the market, Doctor. Say it.

10:39 Narrator: What if— what if there's no Romanian, only Stas at his stall?

10:46 The Row Falls Silent at the Market Gate

10:50 Narrator: Kravchenko kept her word two days later, with a grey van at the market gate, and the row fell silent ahead of us as we walked. Kravchenko: Stas. Inspector Kravchenko, Petrovka. I believe you're a Romanian.

11:12 Kravchenko: You're Nightjar. Alone, masked, robbing Washington. You've had the translator's machine. You read her password off her—

11:20 Stas: Lid, yes. Her lid. Everybody's lid. That's your case?

11:25 Volkov: It's a poor one, Inspector. That job wanted a specialist. This man glues screens.

11:31 Stas: Specialist? One false page, one frightened clerk. I could rob Washington one-handed. Other hand holding a pie.

11:40 Kravchenko: Is that so. Volkov: There. Six years and nobody has asked him. He'd rather be guilty than ordinary.

11:47 Kravchenko: You told me a boast isn't a case. Volkov: This one is. Passwords are easy, very easy, he told us at this counter, before the doctor had read him a line. Same vanity, same words. I'll vouch for it.

12:01 Stas: That's— that's from the post, whole row says— Kravchenko: Unlawful computer access. Everything with a plug goes in the van.

12:09 Narrator: Inspector, those are customers' machines. Some old woman's photographs are in that crate — Kravchenko: You brought me the ticket, Doctor.

12:17 Stas: Not the bench. Six years I— leave my screws, that's my... Narrator: Stas, listen, I never meant—

12:25 Stas: You came friendly, with your pencil. You read it to me for a laugh, Doctor, and then you brought them.

12:32 Vera Sits at Last, Coat Still Buttoned

12:36 Narrator: Before the day was out she had climbed our four flights again, and this time Vera sat, on a stack of newspapers, her coat still buttoned. Vera: He is a boy. He gave me the Sunday for nothing. He does not— no. He can't have done this.

12:54 Narrator: I keep adding it up, Vera, and it comes out no better. His words match the post. His machines are at Petrovka.

13:03 Vera: And nobody spoke for him? Narrator: A fellow— a fellow selling chargers shouted the Romanian's line at the van, for a laugh. And the voice on your telephone?

13:14 Vera: A scarf, Doctor. It might be Stas. It might be the Patriarch. I cannot swear— I won't swear.

13:23 Volkov: Then help him another way. What exactly did you change in that draft? Only you and the voice ever held both versions.

13:31 Vera: Commas. Word order. And the ending simply stopped, as bank English does. So I gave it one line of my own, for the cadence.

13:40 Narrator: Unasked? Unpaid? Vera: Unasked, unpaid, and the only sentence in the thing that breathes. But what has that to do with Stas, why are you—

13:52 Volkov: The voice rang you in March. His ticket says April. So he knew your number before he ever held your machine, or he isn't the voice.

14:02 Narrator: Ah. Vera: He came up for it himself. Once, twice. I don't recall— I never noted when...

14:11 Volkov: The lodge did. Did Stas ever sign Pantelei's book?

14:16 The Supper Hour with the Concierge Out

14:20 Narrator: The supper hour found the lodge without its concierge: only the old dog at home, and Zimin of the pensions fund on one knee beside him. Zimin, isn't it, from the landing? Where's the concierge?

14:34 Zimin: Out. He goes out. Scratch behind the bad hip and this one forgives anybody.

14:41 Volkov: With that hip he gets up for nobody. So you bring him something. Zimin: Heel of sausage. Who else in this house is pleased to see me?

14:51 Narrator: Your Chekist is wheezing on the counter. He wants a mender, and ours is gone: Petrovka has Vera's repairman in a cell. But there must be some other—

15:01 Zimin: A repairman? No. Not for this one. Nobody opens him, nobody dusts him, no fingers on him but mine.

15:09 Narrator: All right, all right. He greets you in English letters, I see. That's no Chekist, that's a tin of cat food.

15:17 Zimin: That's the joke, Doctor. Felix with an x, my own spelling. Iron Felix, on a shelf with the cat food.

15:26 Volkov: Do your veterans laugh? Zimin: Fourth floor eats at seven. Nine weeks behind, and they'll want it explained.

15:35 Narrator: Now then, the book, while nobody's minding it.

15:39 A Dog Who Watches Like a Magistrate

15:44 Narrator: I went through the concierge's book under his own lamp, Volkov at my shoulder and the dog watching me like a magistrate. Stas, here. April, one signature, when he fetched the machine. But look, Volkov: a stub at the stitching.

16:02 Volkov: Clean tear, done slowly. Nobody panicked over that page. Narrator: Last days of February, and Vera's telephone rang in March. So he came earlier, and somebody tore him out. That's a go-between.

16:16 Pantelei: Hands off. Pantelei's lodge, Pantelei's book. Narrator: There's a page gone, Pantelei.

16:22 Pantelei: There is. I tore it. Mine to tear.

16:26 Volkov: Did you, now. Narrator: Who paid you? The boy from Savyolovsky? Did he—

16:31 Pantelei: That boy? Ask me something else. Volkov: You read every letter in this house. You know who works alone and who sits up till two. That's worth money to a man with a telephone, and you—

16:43 Pantelei: You come here with Petrovka at your back, you and your doctor. When officials call, I hide. Forty years— forty years I've hidden.

16:51 Volkov: That isn't a no. A torn page and a bolt-hole: the inspector will call that a friend on the stairs, and the boy's case hardens. Stay where you are, Pantelei— Narrator: Out the back. Volkov, he's left the dog.

17:08 Volkov: So he has.

17:11 Bleach and Cabbage Beneath Petrovka

17:15 Narrator: Under Petrovka, the next afternoon, the corridor stank of bleach and cabbage, and Kravchenko walked us along it herself to the last grille. Kravchenko: Read it out, Doctor. I want to watch his face.

17:29 Narrator: 'This morning Washington says again: no Nightjar, only Russians. I'm here, and I am alone. Here's my answer: a new file from their server.' Signed Nightjar.

17:43 Kravchenko: Washington said that today. He answered today. Every machine this boy owns is in my evidence room, and he was in my cell when Nightjar answered.

17:54 Volkov: Words that didn't exist when you turned the key. He's cleared, Inspector. Stas: Hear that? Cleared. Find your keys and—

18:02 Kravchenko: Cleared of typing. You rang me about a concierge who tears pages and runs. A boy can have a friend with a keyboard.

18:11 Volkov: You don't believe that. Kravchenko: I believe a release needs a signature, and upstairs returns no calls. Show me there's no friend. Then I find my keys.

18:22 Narrator: Stas, I brought you here. I— I will— Stas: Doctor. What's that in your hand?

18:28 Narrator: His post. The inspector printed it. Stas: Paper's got no insides. Your printout is paper. Give Vera the file itself.

18:38 Back Under Vera's Lamp, the River Gone Dark

18:42 Narrator: The river had gone dark when we sat again under Vera's lamp, with a Petrovka memory stick on the table and a sheet bearing the inspector's stamp. Volkov: Petrovka's copy, opened on the inspector's order. Your name stays out of her report.

18:58 Vera: I have that file already, you know I have. It was never— it was never only the report. Those letters, once read, stay in my head. No. I will not.

19:13 Volkov: You won't. One line at the top, then shut it. I was wrong about a boy. I need your habit.

19:20 Vera: Not one stolen word. Volkov: Not one. Vera: There. A Romanian, quite alone, and his author line: Felix Edmundovich.

19:32 Narrator: Felix Edmundovich. Volkov, we've— Volkov: We have, Doctor. Not yet. Vera, your letter.

19:39 Vera: Something silly, I told you. I remember now. In March I laughed; one joke in a hundred files. I can't— no. Give me a moment.

19:52 Vera: All my commas, and still it keeps the name its owner typed. The same. The very same...

20:01 Narrator: Half Moscow has called some boss Dzerzhinsky. Two jokers, why— Vera: No, look at the spelling, Doctor. A Russian putting that name in Latin letters writes k, s. Our passports do, the encyclopaedias do. Both of these say x.

20:19 Narrator: Good Lord. Volkov: Then not two jokers. One computer, one x.

20:26 Vera: You've heard that name. Where? Who—

20:28 Volkov: Lock your door tonight, and leave your lamp on as usual. Narrator: So the voice on her telephone and the lonely Romanian— Volkov: One machine hired you and then dressed as the Romanian. People first, I said. Fool.

20:42 Back Down at First Light

20:46 Narrator: We went back down into the bleach at first light, and found Kravchenko at Stas's grille, her keys still on her belt. Kravchenko: Your x, Volkov. Every crate, overnight. No seized machine carries that name.

21:02 Stas: Told you. Keys. Kravchenko: Proves nothing, boy. A friend's machine wouldn't be in my crates.

21:09 Volkov: No. But that machine hired Vera in March, and his ticket says April. Her English was finished before he ever saw her lid. Narrator: And it made the Romanian too. So what does this friend need Stas for?

21:24 Kravchenko: Nothing. He was in my cell when Nightjar answered, and nobody missed him. Some friend.

21:32 Narrator: And your signature from upstairs? Kravchenko: Upstairs isn't answering. So nobody has told me no.

21:41 Stas: Now she's funny. Kravchenko: You know who owns that joke, Volkov. So when do I—

21:46 Volkov: By tonight. Say it in this building and it reaches upstairs first. Stas: You vouched. My counter, my words. Whole market quotes that post. Sock woman says it to her sister.

21:59 Volkov: You tried to tell me that day. I took a quotation for a confession, in front of the inspector. That error is mine.

22:07 Narrator: I'll carry your crates back myself, Stas. Stas: Carry careful. Grandmothers in there. Find who named that machine. My stall stands empty.

22:17 Volkov Silent All the Way from the Metro

22:21 Narrator: Up from the metro we took the river side, and Volkov said nothing until the block stood in sight. You've had it since Vera's lamp. Let's hear it.

22:32 Volkov: Read me the lodge, Doctor. You wrote it down. Narrator: 'Felix with an x.' His own spelling, he called it, over the dog. And last night, that name on both top lines, and Vera saying a Russian writes k, s.

22:48 Volkov: So his private spelling sits on a Romanian's file. Narrator: Zimin. A ballpoint and a heel of sausage. How does that man rob Washington, how does he even—

23:00 Volkov: Perhaps he doesn't. Perhaps the ledger is the costume. Narrator: He clicked his heels at a deaf man's door. Thirty years I've doctored old soldiers, I know drill when I hear it.

23:12 Volkov: One spelling on two files. Who on these stairs ever said it aloud? One man. A clerk, he told us. So ask the concierge; he reads out the fund's letters. He'll be back for that dog.

23:25 Back at the Lodge for the Dog

23:29 Narrator: Pantelei had come back for the dog, and we found him on the lodge floor with its ruined hip across his knees. Pantelei: No book today. You said my page hardens the—

23:39 Narrator: The boy's out, Pantelei. Since this morning. Pantelei: Out? Then I crawled back here for nothing but the dog...

23:48 Volkov: A fifth-floor dog with a fine coat, on a concierge's wage. The men who carried the fifth floor out signed your book: name, flat, hour. That was your page.

24:00 Pantelei: Two lads from the morgue. No page, no— no dead man. I sign his name, the pension comes, and this one eats.

24:07 Narrator: All of it on the dog? Pantelei: Look at his coat, Doctor. Look at mine.

24:13 Narrator: Poor old fellow. Volkov: With a pensions clerk on your stairs? Pantelei: When officials call, I hide, so I hide from him too. Habit. New since March, that one. The old clerk counted her dead like a miser. He's never once asked after the fifth floor.

24:30 Narrator: A pensions clerk who doesn't count the dead? But that's the whole job, that's— Volkov: New in March, when Vera's telephone rang. You read out every letter here. Whose name is on them?

24:41 Pantelei: A department. A stamp. Some woman's initials. His? Never. Not once.

24:56 Volkov: Kravchenko. Does the pensions fund employ a Zimin?

25:01 The Inspector Climbs Coughing to the Landing

25:05 Narrator: Kravchenko climbed to us that evening, coughing at every turn, and found us on the landing with Zimin at the deaf man's door. Kravchenko: Zimin? Inspector Kravchenko, Petrovka. The pensions fund has no Zimin. No file, no desk, no salary. Forged papers are my arrest, so you'll—

25:24 Zimin: Beautifully forged, I hope. Read this before you reach for anything, Inspector. Kravchenko: Military intelligence. Major. Khamovniki. So that's who doesn't return my calls.

25:38 Volkov: You could walk to work from here, Major. Zimin: I do. Good for the knees.

25:44 Kravchenko: Charming. Volkov: Wake up, Felix Edmundovich, you told him, on this landing, and we laughed. That name sits on Vera's letter and on the Romanian's file, with your x.

25:56 Zimin: A joke. All Moscow has some boss called that, you can't— Volkov: All Moscow writes k, s. And you shut the other door yourself, over the dog: no fingers on him but mine.

26:08 Narrator: He's pleased, Volkov. He's been waiting for somebody to ask. Kravchenko: Card or no card, the papers are forged. The machine comes with me.

26:17 Zimin: Take him. Write what you like. Your page goes upstairs and nobody reads it.

26:23 Narrator: Then why the stairs, all those months? A voice on a telephone doesn't need a landing, so what were you— Zimin: I walked these stairs to watch her. She should hear whose line that was.

26:35 The Hour of Lit Kitchens

26:39 Narrator: Moscow, the hour of lit kitchens: Vera let us in, Zimin and the inspector behind us, and his laptop went down on her table. Kravchenko: Open him, Major. Or my technicians take a week.

26:54 Zimin: My fingers, then. Good evening, Vera. I'll email the draft and pay the same day.

26:59 Vera: That voice. That— take away the scarf, it was you. Zimin: Type. You read these things.

27:08 Vera: One new word, saved. And at the top, author line: Felix Edmundovich. With an x.

27:17 Narrator: There it is. Volkov: That proves the machine, Major. The rest only you can say.

27:23 Zimin: Why not? My unit sent her English to Washington. One staffer typed a password, and we carried away fourteen thousand emails. Alone, at night, on this machine, I wrote the Romanian, to hide Moscow's hand.

27:37 Kravchenko: You're saying that to a police inspector. Zimin: Whose report stops upstairs. Tilt an American election and that's a colonel's stars, Inspector. No nephew could have done it.

27:48 Vera: Why tell me? Zimin: My draft stopped at the account number. I laid your English against it, line by line. One sentence wasn't mine.

28:00 Vera: Don't. I won't hear them. Not one stolen word— Zimin: One, then. A staffer to a friend, nine at night: 'The bank says don't wait for morning. So I'm doing it now.'

28:12 Vera: Don't wait for— no. It simply stopped, you see, and I— it was one line of my own, for the cadence, I was so— I was pleased... Zimin: You should be. Mine frightened nobody. Your craft won the password.

28:30 Narrator: Enough. Get him off her floor, Inspector— Kravchenko: Coat, Major. I charge what I can hold: forged papers. The military prosecutors take him by morning.

28:42 Narrator: Still clicking. Volkov, a man that careful, and his own nickname on both files? Volkov: Twice passed over, you buy your own, he told us on the landing. That machine was the one thing in Moscow that answered to him.

28:57 Vera: Is it true, what he said? Volkov: True. And he told you to wound you. You made a letter breathe; he aimed it at a frightened stranger.

29:08 Vera: I used to bring the old men soup. I could— I could do that... Volkov: Pantelei will make you sign for it.

29:16 Vera: He will, too. Narrator: So: Zimin, charged on forged papers and handed to the military prosecutors by morning. Fourteen thousand emails, and the charge was a pensions form. That night I looked down the embankment from Vera's table: her lamp at my elbow, and one window still lit in Khamovniki.

  • Moscow Rules

    Paris After Dark

    On a winter night in Moscow, old Sedov climbs five floors to the detective Maksim Volkov's door and will come no further than the mat. After the party for his eightieth birthday, something else was in the frame of his father's Tolmachev, and the police only laughed. Half the building was in his flat that night. What became of the painting?

  • Moscow Rules

    The Friday Flight

    Three weeks ago, on a Friday, the metals dealer Arkady Zimin went to a Moscow airport for his flight to New York and never boarded. A girl at the check-in desk saw two men in long coats show Federal Security Service passes and walk him out. His secretary has come to the detective Maksim Volkov: who walked Arkady Zimin out?

  • Moscow Rules

    Freedom in a Locker

    A stranger on the telephone is selling a jailed oil baron's freedom for seven hundred thousand dollars, and the baron's wife, Olga, has already paid half in cash. The guards have gone, the gas is cut off, and she has kept one hand clenched shut for two days. Before she pays the rest, is the voice real?

  • Moscow Rules

    The Case of the Twin Ledgers

    Who drained seven billion dollars out of Russia through twin shells and a letterbox, while the one clerk whose signature is on every confirmation begs a detective to look past her?